MEMBER SPOTLIGHT: JOSHUA VANA


Could you tell us who you are and what it is that you do?

I'm Joshua Vana, Director of ARTivism Virginia. We provide a supported connection between artists and activists in the fight against new fossil fuel (primarily fracked gas) infrastructure in Virginia and the region. My best attempt at distilling who I am is that I'm a musician who happens to be a justice issues person, and so I try to lend my skills to advancing the efforts of folks fighting the Big Machine in its myriad of forms. With ARTivism, we try to take those types of individual efforts and coordinate them so that there's organized help – a network, or better, a community – to strategically assist campaigns to fight projects like the Mountain Valley Pipeline (MVP), for example. 

So across mediums, with the help of a bunch of different artists, we've been working primarily on supporting the coalition fighting MVP (year nine of resistance, year five of unfinished construction to 56% completion) and its Southgate Extension project (year five of resistance, unconstructed), whether through messaging strategy, tactile visual arts, film, music, event production, a little graphic design, etc – a lot of the things that need a bit of a boost when your coalition partners are working so hard to cover all the other bases, playing offense and defense at the same time. ARTivism, having started out as a labor-of-love project of Kay Ferguson here in the Charlottesville area, is entering its sixth year of coordinated effort, and this year we've been really blessed to begin a working relationship with Virginia Organizing as a Joint Plan of Work group. MVP hasn't been our only focus though, and working in our lane with a priority on advancing environmental justice efforts, often with frontlines folks in the region, we've also helped defeat the Atlantic Coast Pipeline, Chickahominy Pipeline and Power Station, the C4GT power plant and other not-so-brilliant ideas of the fossil fuel and finance industries. 

What do you love most about the work?

I really like being part of a community of fighters (they're lovers, too, you could say) who are looking out for each other and making a better future happen. I love to see these folks grow their power, see the fruits of their labor, feeling good about it – seeing the threads of new community and power building come together in a fresh and beautiful patchwork. 

I also love watching the pins get yanked out of the machinery that's abusing people and then witnessing that machine start to bury itself in dysfunction and the muddy mess caused by its own design flaws. It may be the opinion of others that sharing this is in bad taste, but I'd be lying to ya if I said this didn't provide a little confidence-building fuel and satisfaction. I take no small amount of pleasure in the visible astonishment on the faces of the cogs of the Big Machine (lobbyists, consultants, politicians, financial managers, those weaving in and out of the public-private revolving door, etc) when they realize that because of their failure to ram through their pipeline or compressor station or whatever, they now have to consider the fact that their ill-conceived plans were not inevitable, that they do not control everything, that they are not the masters of us. I mean, I'm guessing that might be what eventually goes through their heads. Maybe not. Maybe it's wishful thinking. Whatever's going on in there, there seems to be some amount of surprise when grassroots community organizing and advocacy wins. 

I get to work with a ton of fearless, kind, badass folks who I look up to, and who are changing things in no small way. That helps. I've heard a number of friends in our work say that it sure would be nice to not have to fight multi-billion dollar corporations to protect communities, homes, wild places, the planet, etc – but – you just meet the best people. That's true for me and I know it's true across other communities brought together in pursuit of some kind of justice. This year in particular, I've had the great pleasure of meeting folks from all across stolen land, from the Gulf Coast to the West Coast to the Great Lakes and further, learning about their awesome work and culture, how similar our struggles are, and how close we are bound by those struggles.

If I'd have to sum up the better parts of the work, it'd be the feeling of solidarity. Remember solidarity, y'all? The Big Machine hasn't just yet stamped all that fire out.

How did you arrive at this position / point in your career? What's your backstory?

I've mostly been a working musician and a small collective restaurant worker and worker/owner in the Shenandoah Valley. Around 2015 when I caught wind of the proposed Atlantic Coast Pipeline project (rest in pieces ACP, 2014-2020), I started to get connected with folks in Augusta & Nelson Counties and elsewhere who were organizing against it – which led me inevitably to learn about MVP and the folks further West/Southwest fighting it. Two evil-cousin, 42" fracked gas pipelines totaling more than 900 miles was not gonna fly, in my opinion, and I learned there were hundreds of others who shared that opinion. I had started to become aware of the worst effects of the so-called Shale Revolution and did not want to see its infrastructure buildout come through the mountains and valleys and rivers around us and destroy everything in its path. With the help of my friend Lara Mack, who was the Pipelines Field Coordinator for Appalachian Voices at the time (and others of course), we started a solidarity group in Rockingham County through which I learned a lot about advocacy and my role in it. Still learning.

Juggling that activism, being away on the road playing music professionally and restaurant work eventually became too much to balance, so I decided to try and meet the moment and stick around my own neck of the woods in hopes that I could find ways to support the ACP/MVP fighting coalition on a more consistent and sustainable basis. Shortly after making that change, I was invited to participate in ARTivism's SUN SiNG Collective project, and things gradually progressed from there into further opportunities for me to plug in, take a leadership role or two, and support Kay's concept of healthy creative advocacy. I co-directed ARTivism with Kay from 2020 to the spring of 2022, and was handed the baton this year as Director when Kay took a well-deserved bow after years of hard-driving direct coalition support.

What values drive your work each day? How do they play out in what you do? 

I think when my former Co-Director Kay was asked this question, she said, "love, justice, and service". Brevity can be in good service too, and acknowledging the length of my previous responses, we'll stick with this wise distillation. We try to prioritize listening to what frontline organizers need and then propose ideas that go with the grain of their efforts, and compliment and amplify the work of the larger coalition, often asking how we can welcome more folks into the work and provide that supported connection mentioned above. 

What are you currently working on, excited about, looking forward to?

Lots in the works here at ARTivism HQ. We're reflecting on our first six months as a Joint Plan of Work group with Virginia Organizing and planning for what it might take to help beat MVP and MVP Southgate in 2023. We recently held a block printing workshop with awesome artivist and wonderful collaborator Jan Burger here in the Gallery at Studio IX, and we're hoping to build upon that learning and ready those materials and more for whatever opportunities arise. 

We're also doing our best to support our growing coalition in a "search and destroy" mission – cue Iggy & The Stooges at considerable volume – to defeat the next iteration of Joe Manchin's Dirty Deal (first attempt bill killed in late September), which would weaken environmental protections throughout the United States, throw frontline communities under the bus, provide lots of disgusting handouts to the fossil fuel industry as if more are needed – in addition to using congress to legislate a magic parachute for the criminal MVP and its joint venture partners by essentially reinstating all its illegal permits and insulating it from any further judicial review. Isn't it nuts that the some of the most powerful sectors of both major political parties want this? Plenty of them claim the climate is very important to them, and they want your money, by the way.

I'm looking forward to building new relationships with artivists in the Charlottesville area, continuing to create and/or support programming and projects that revives the long fighters out there and welcomes new energy, and – hopefully in 2023 – witnessing the incredible and inevitable cancellation of the big, bad, boondoggled Mountain Valley Pipeline and its Southgate Extension. A congressional rescue party signals desperation, and we want safety and health more than they want their precious profits. So approaching Year Ten of resistance, you can bet we're ready to win. Probably more ready than we know.

If you could take one book with you to a desert island, which would it be?

Well that's a tough one. You're gonna probably be disappointed by an answer lacking in creativity, or failing to nod to the finer works, but us "creatives" can be practical too. I'm sure there's a book out there that sufficiently outlines How to Survive On a Desert Island, and I'll go with that. There are probably dozens at this point. I'm not gonna check. I pride myself just a little in having some tiny manner of self-sufficiency, but assuming this desert island scenario involves the typical "it's just you and you're a thousand miles from anywhere in a beautiful but dangerous tropical paradise providing no shelter from the elements and where threats to survival constantly lurk" features, I am in no way sufficiently prepared for that, and I'd be perfectly satisfied to rely on the tactics provided in the text to eventually return alive to a place where I can read all I want. While I'm out there on the desert island I can make up some songs and stories to keep me creative company, and also add notes to the book in the margins that I can be hired to employ in the Survivor's Choice Edition. Upon my return to so-called civilization and during my tour of morning TV spots and late-nite talk shows (if they're still around), I can plug the that second edition while also suggesting some of the ways in which we can help ourselves not turn our own island into a giant desert island where nearly every single person is saddled with the burden of individual survival. This is sounding closer and closer to describing our society in the era of the Neoliberal Scam so I'll stop before this gets too real. 

Anything we missed that you might care to share (closing thoughts)?

I don't know if everybody else out there's feelin' it, but doesn't it just seem like crises are coming from all sides these days? That's why that solidarity (remember solidarity, y'all?) is so important. The burden gets spread out and it feels like we all need that. Less burden per individual. More collective effort. As one of my heroes, Mavis Staples, will sing, "You are not alone". "I'm with you", she'll say. We got big fish to fry, friends. Let's get organized and stay organized. Anything is possible. 

MEMBER SPOTLIGHT: CHECKING IN WITH JEFF DION

You’ve had some exciting developments since we last spoke. Care to share?

Yes. A wild summer! The company I worked for when you last interviewed me is in the business of helping startups raise capital from everyday investors. Well, given the financial slide we've been in, Wefunder had to cut 35% of the team; mostly all the remote folks.

But it was a blessing in disguise as I immediately started my own investment strategy business -- CCQB (yourccqb.com). Not in competition with Wefunder, but as a compliment to their offering.

What’s that transition been like?

Liberating and fast paced.

I had a personal reflection about 3 weeks into the project, before I had even signed my first founder:

The three times in my professional career that I have felt most in control of my future were when I was running my own business. I seem to have trouble working inside organizations. They always feel too constricting, yet too demanding, all at once. Having the freedom to press the pedal when I want to, and the brake when I want to, fits my 'extremes' personality well.

I'd be remiss to not thank you and James for making this unpredictable transition a lot less stressful this summer. Your unquestioned support in allowing me a place to work while I got my life sorted out was priceless. Literally...

What do you enjoy most about the new position?

Genuinely feeling as though I am making a positive impact for people. Running a business is often your whole life and many times founders have put a lot of their own money on the line. At the same time, raising money is something a founder only has to do a few times, at most, when scaling a company. The intersection of these two things means I am working with people who are often at one of the most vulnerable yet critical times in their personal and professional careers. It's been powerful to watch them have success this Fall, and get positive feedback on how I made a difference in their success.

Last time we spoke you expressed an interest in ultimately moving away from being bound to a screen and getting back outside. Care to manifest your future and share what that will look like when it comes?

Way to keep me honest and on track, Greg. I'll lean on my Greg Buddhist teachings and say that the future is right now. With this new business I make my own schedule and I also make enough money to afford to finally work a bit less. Now that my first batch of founders are raising, I am gladly taking on clients at a slower pace, so that I can spend less time at the computer and more time in the mountains and on the water.

But im not a Buddhist, yet, and so my near sited goal is to build a startup in the rowing space over the course of the next 18 months, and then transition my role to more of a traveling vice president of sales at boathouses across the country. Happily paying someone else to manage the spreadsheets, projections, and HR issues.

I'll also be honest in that I think this entire 21st century technology career thing is a massive rat race that has lead to creating solely for the purpose of creating. We already have everything we need, and it'd probably suit us well to turn around and then take five steps forward. But I'm still not enlightened on a safe path off the wheel for myself and my family. I'm sure you can help me here .

What are you currently working on / excited about?

My kids are getting to the age where we can do all kinds of fun outdoor stuff together. I'm pretty excited to take our oldest skiing for the first time this winter.

I'm also learning to bow hunt and harvest my own food this winter, which im pretty stoked about! This has preoccupied a lot of my current reading & audiobook time.

What’s on the horizon?

Who knows! Hopefully the aforementioned rowing startup -- ScullPass.

And finally -- if you could take only one book with you to a desert island, which would it be?

Beyond The Horizon, by Colin Angus. My whole adult life I've only read/watched true stories, since I personally look to them for inspiration. Colin's story is one of my favorites. Through massive mental and physical highs and lows he becomes the first person to circumnavigate the globe using only human power.

Great dessert island book because after a week or so of napping, reading, and eating coconuts, I'd be looking for creative ideas and will power to get the heck off that island!

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Jeff Dion | LinkedIN

MEMBER SPOTLIGHT: ANTHONY HARO

Could you tell us who you are and what it is that you do?

I'm Anthony Haro and I'm the Executive Director for Blue Ridge Area Coalition for the Homeless (BRACH, formerly known as TJACH). We aim to make homelessness rare, brief, and non-recurring. In order to accomplish that, our work is focused on collaborating with communities and service providers to help individuals and families achieve housing stability, financial health, and improved quality of life.  We don't provide services directly to clients but work to support direct service providers in the community like The Haven, Region Ten, PACEM, Families in Crisis, On Our Own, SHE Shelter, Virginia Supportive Housing, and Salvation Army. I support through grant writing, providing funding directly for projects, organizational development, and policy development to support coordination of homeless services across the community. 

 

What do you love most about the work?

I believe it's everyone's birthright to experience peace and contentment in their lives, and as elusive as that journey may be on its own, without the stability of a safe place to call home it can be that much more difficult. I love that I help people find that foundation in their lives. 

 

How did you arrive at this point in your work? What’s your backstory?

 

After I graduated from UVa in 2009, I was interviewing in Chinese for IT sales jobs and while I loved the prospect of using Chinese and Japanese (which I had studied at UVa) my heart was just not in it for sales. On a whim, I quit my temp job I had at the time and moved to live with my girlfriend in Charleston, SC. I had no job and barely any money, but I did have some clarity on the simple fact that I wanted to be a part of some kind of service to the community. I ended up finding a job on Craigslist (sketchy, I know) as a database manager for a homeless shelter in Charleston, and the rest was history. I loved being a part of something greater, and while I had no previous history with homeless services, I quickly realized how impactful the stability of housing is in people's lives. I saw incredible transformations in people, things I once thought impossible I now knew were possible. I've been working in homeless services administration since that first job in Charleston in 2010.

Has there been a light switch moment, a turning point, professionally &/or personally along the way? 

  

Working in homeless services you are confronted often with the reality that you cannot make people change. You can provide the opportunity and support for change, but you can never control another person's thoughts or behavior. Really understanding this has helped me both professionally and personally, as it allowed me (or forced me) to create more healthy boundaries with work in general, with expectations of other people, and with expectations of myself. 

What are you currently working on, excited about, looking forward to?

Professionally, I've been working quite a lot lately on the Premier Circle project which is currently a 90-unit emergency shelter program operated by our partner PACEM, but will shift to be the site of a future 80-unit permanent supportive housing development, creating 80 safe and permanent homes for formerly chronically homeless individuals. It's been an incredible project to be a part of, and one that has and will continue to significantly shift the homeless service landscape in our community for the better. 

In my personal life, I've been working a lot with my friend and creative collaborator, Gabe Gavin, on our music project called Bhakti Boyz. Songwriting is an incredibly fun, fulfilling, and therapeutic outlet for me and something I'm endlessly grateful to have in my life. 

 

What values drive your work each day?

Be the change you want to see in the world. Truth is one, paths are many. Be good, do good. Serve, love, meditate, realize!

 

Anything we missed that you might care to share (closing thoughts)?

Housing ends homelessness! Simple as that.

MEMBER SPOTLIGHT: ROGERS HELLMAN

Could you tell us who you are and what it is that you do?

My name is Rogers Hellman, and yes, that is an 'S' on the end of my first name. A cross my parents saddled me with. I've developed a computerized medical records system for use in rural settings within developing countries. Locales where challenges make that task more than a tad-bit daunting.

What do you love most about the work?

I do get to travel often. Or did, prior to Covid. I love the friendships and the opportunities to see a world decidedly different from the one I typically inhabit. My hope and expectation is that now that Covid is abating, I can resume my activities.

How did you arrive at this point in your work? What’s your backstory?

When this all started, 18 years ago, I had been successful in the world of high-tech. My career as a programmer led to executive positions. Even high-level positions within internationally known companies.

However, I had stepped aside from the world of technology with the idea of spending extra time with my daughters. They were of high school age and their time of living at home was limited. When I was ready to return to work, the business side of the technology world was in a down-turn and I continually encountered the words 'over-qualified'. We were comfortable financially, so my wife and I looked to other activities. That led us to travel to Guatemala to assist a team of Canadian physicians. What I learned is that doctors and engineers think differently. With collaboration between these mind-sets, the quality of care could be improved.

It also occurred to me that disease outbreaks typically originate in rural settings due to the nexus of people to animals. Further, with modern travel increasingly available, inevitably disease outbreaks would lead to epidemics and possibly pandemics. Stopping an outbreak as early as possible became one of my goals.

Has there been a light switch moment, a turning point, professionally &/or personally along the way?

As a Westerner, I could not possibly anticipate the challenges involved. Only by trial and error followed by persistence have I reached this point. There is more work to be done. Actually quite a lot, but now I can set up a working clinic in challenging environments. As patient records are captured, that information is replicated to a cloud server. From there, Ministries of Health can see and act on disease alerts, typically in real-time. Using analytic tools, patterns can be seen that should lead to strategic solutions of health problems. Pills are not always the answer.

What are you currently working on, excited about, looking forward to?

After 16 years of hard work. Most of that time, seemingly alone in my concern for pandemics and alone in concern for rural inhabitants across the globe, things are changing. I've been invited to the United Nations offices in Uganda. Hope springs eternal. Perhaps my lonely quest is about to end.

BARISTA SPOTLIGHT: THE JBIRD CREW

This month we took a moment to check in with a few of our beloved JBird Supply barista’s. Thanks to Luke, Laura, Jennie, Derick, Liz, Julie and Reed — for keeping the café lively and real — & for serving up the best coffee in town, year around.

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What’s your name and where are you from originally?

Luke R:  I'm Luke! Born and raised in Cville.

Laura: Laura McGehee. Silver Spring, Maryland.

Jennie: Jennie, originally from North Dakota.

Derick: My name is Derick. I was born in Singapore, raised in Modesto, California.

Liz: or Lizard, or Lizzr, and sometimes Lizeree-depends who's trying to get my attention. I'm from Charlottesville in a roundabout way.

Julie: I'm Julie -- originally from Lanexa which is in New Kent County, VA. I moved to Richmond when I was 19 where I spent the next 16 years. Then I moved to Louisa County with my husband about 2 years ago. 

Reed: Reed Harmon - originally from Concord, NC

What do you love about working at JBird?

Luke R: Y'all of course!

Laura: Sweet nutty smell of freshly roasted beans, soothing buzz of the espresso grinder, talking with people who come in for the coffee but linger for the meaningful eye contact, working with the best team of smart and kind weirdos, Jon and Cheryl's shared capacity to cultivate vibes in the shop that are like the signature Whirly Bird drink (frothy & punk & ingenious & delightful & radical)

Jeannie: The fact that it’s part of a bigger community – Cheryl and Jon are so intentional about connecting the space to other people and events in Cville, which is just such a cool feeling.

Derick: Love the people, love the space. Somehow we make coffee feel both fancy and chill.

Liz: First of all, best coffee in town, hands down. Second of all, we're a big family and a relatively functional one that makes the best coffee in town. Can't think of much better than that. 

Julie: I love the people I work for- Cheryl and Jon are extremely considerate and friendly. Cheryl is one of the nicest, most forgiving and compassionate persons I have ever met. I am so grateful to know both of them. I also really enjoy working with the people who work at the shop. I'm very new to coffee but everyone has been so kind and patient with me. 

Reed:  I love the community. Jon and Cheryl are incredible and my co workers really are the best. I love the people I get to meet and the simple joy of making someone’s day just a little bit brighter with a good cup of coffee. 

What have you learned?

Luke R: So much about coffee. Like way more about coffee than I thought it was possible to know.

Laura: How to ask someone what they want and for that to mean 1) to drink and 2) in life, how to steam milk while continuing discussion of the nature of reality, how to describe coffee through tasting notes and actually mean it.

Jennie: How to make better latte art – ever since my last stint in coffee, I’ve been haunted by misshapen latte hearts I have served. Now is my shot at redemption.

Derick: How to run and how to talk to strangers.

Liz: That dry, ground coffee can smell like celery and that no matter what job you work, attitude is everything.

Julie: I'm still learning- but I'm excited about learning a new trade. It's going to take some time but I'm looking forward to being a part of the coffee world. 

Reed: That an americano is a far more popular drink than I imagined. But more seriously I’ve learned about how to talk about the individual coffees we offer, their differences and guiding people to something they’ll really enjoy.

What's your favorite coffee?

Luke R: Our Ethiopian Sidama is rocking my world right now.

Laura: Naturally processed El Salvador on pourover.

Jennie: The Columbian we have on espresso right now is straight fire.

Derick: Beans: The Betty. Drink: Hot Fancy Mocha (Mexican chocolate) w/ Keithmilk.

Liz: I'm always rotating through our different beans, but I'm growing to love a floral Ethiopian like the Guji. My favorite cup of coffee is always hot and black.

Julie:  JBird Coffee, of course! I particularly like the El Jefe dark roast blend.

Reed:  I love a good cappuccino. 

What's your favorite band?

Luke R: Car Seat Headrest.

Laura: Still to this day nobody captures the midnight angst like Sleater-Kinney.

Jennie: I love too many bands to have a favorite, but I’d say the band that gives me the most nostalgia is Poets of the Fall.

Derick: Mohsen Namjoo.

Liz:  I could never choose one. Ask me any day I'm working and the answer will change with my mood, the weather, and who I'm around.

Julie: That is an extremely difficult question for me...there are too many great bands and musical artists for me to choose.  I love pretty much most genres of music so my musical taste is a bit eclectic. It may be a cliche but my favorite album of all time is Weezer's Blue Album, but they are definitely not my favorite band.  Lately I've been listening to a lot of 60s easy listening and jazz like Bert Kaempfert, Herb Alpert and the Tijuana Brass, Ray Conniff, and James Last which may seem boring to some...but I love it!

Reed:  Not exactly a band but Irish singer/songwriter Dermot Kennedy

When you’re not making coffee, what are you up to?

Luke R: I'm making art, thrifting, looking for rocks and collecting clowns.

Laura: Avoiding writing my novel through full and busy days of biking, walking, reading, looking, thinking, sitting, being, constructing sense of self just to tear it down reflexively in workplace questionnaires. Recently I discovered collaging and now I'm fulfilled for the rest of my life, so that's a relief. 

Jennie: I help my brother vend at farmer’s markets, I hang out with my niece and nephew, and I sometimes get around to editing gigs.

Derick: Reading and resting (or resting and reading)

Liz: This list is long. I am a full-time Phd student at JMU, I teach undergraduate and graduate courses in psychology and counseling at JMU and UVA, see a few therapy clients a week, teach yoga, write songs for my cats, and run, a lot.

Julie: I usually watch way too many movies and true crime documentaries...But I enjoy cooking, gardening, listening to and playing music. I'm in a band called Doll Baby, which I write songs for,  and sing and play rhythm guitar in.  After a brief 2 year hiatus, we are going to start playing shows again this Fall! I'm also hoping we will finally make a full length album, which we've been talking about for a long time now.  I also love working on home projects with my husband, spending time with friends and my sister, and hanging out with my 3 cats. 

Reed: Reading or gabbing - often trying to get people to gab with me about books and reading. 

Who would you love to have a coffee-date with, historically / currently?

Luke R: Ecco2k

Laura: Historically? Virginia Woolf. Currently? At least half of the people on the other end of the aforementioned meaningful eye contact. 

Jennie: I think I’m more inclined to pick either my grandmother or my great-grandmother, both of whom died a long time ago, than any public figure. I wish I knew more about their lives, which would make it easier to celebrate them and their legacy within my family.

Derick: Alejandro Jodorowsky / Shakira

Liz: Frank Zappa

Julie: I would have loved to have had a coffee date with Gilda Radner.

Reed: C.S. Lewis or Vitoria Schwab

What is Cheryl’s middle name?

Luke R: Coffeebird

Laura: Cheryl "Big Vibes Bigger Heart" Robison

Jennie: …a bird? Raven? Wren? Lark??

Derick: bird

Liz: Moira!

Julie: I'm not sure what Cheryl's middle name is....I know her maiden name is Mora!

Reed: Oh gosh, maybe a trick question I’m going to say she doesn’t have one…

What should Jon’s next tattoo be?

Luke R: My face (photorealistic).

Laura: An immensely detailed full-back portrait of a lil' dog on a biiiiiiiiiiig skateboard poppin' a kickflip over a graveyard with two tombstones that read "YOUR" and "MOM".

Jennie: A map of the world covering his whole back with notes on what coffees come from what areas, obviously.

Derick: Joaquin Pheonix

Liz:  An eel holding a switchblade

Julie: My first thought was Beavis and Butthead...not sure why. Then I thought that might be a very silly suggestion so I was going to change my answer. BUT THEN I saw a Beavis and Butthead sticker in the JBird Studio space so I'm going to stick with Beavis and Butthead haha

Reed: Obviously a blue jay

What’re you excited about this season? New roasts? New drinks? New Schwag? New you?

Luke R: Jon's dad's mugs are pretty darn sweet!

Laura: As sultry soggy summer haze leaves us lazy and drained of proper salt content, I'm entering my final year in the MFA program at UVA and looking forward to radically upending interiority in the pursuit of truth and/or my novel, whichever comes first. Also pants! What's more exciting than wearing pants again!

Jennie: I’m always pumped to try new seasonal drinks – new Fancy mochas and new cold brews, especially. Cool t-shirts are also always exciting.

Derick: New Hampshire! (in a tragic/happy twist, I am moving up north this August for a year-long writing retreat. Farewell and much love, until I see ya'll again xx)

Liz: I am so excited about the Lil' Zip which is the perfect, sweet, refreshing drink to get you through your afternoon. I'm excited to keep living this crazy, full, messy, beautiful life with the best people around.

Julie: I'm excited about New everything! New roasts, new drinks, new schwag, new me! The past few years have been a little rough so I'm excited about being at this lovely place and learning all I can!

Reed: I’m loving the new beans we’ve rotated on espresso, the Columbia los naranjos. Also I’m obsessed with all the mugs Jon’s dad makes. I gifted one to a friend and bought one for myself! 

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Thanks, y’all

ARTIST SPOTLIGHT: TORI CHERRY

Could you tell us who you are? And what it is that you do?

My name is Tori Cherry and I’m an artist working here in Charlottesville. I work with New City Arts Initiative at their Welcome Gallery space downtown. I’m originally from Virginia Beach, but I moved to Charlottesville about 6 years ago to attend UVA.

What drives and inspires your work?

My work is inspired by my everyday life and my loved ones. I’m interested in using my art practice as a way to reflect on the events in my life and my connection to others. I’m also really fascinated by composition, form, and color so I am always on the lookout for any combination of these three things that strike me.

How do you approach the work? What's your process?

Once I am inspired by an initial image or scene, I try to visualize what composition feels right, how I can push the colors and shapes that I see, and how to convey my feeling towards the subject. I don’t usually sketch anything beforehand which admittedly leads to a lot of failed paintings, but I really enjoy just going straight in. I think there’s a freshness that’s difficult to achieve when you’ve done too much planning beforehand. A lot of my paintings are the result of intuitive decisions and I really value the genuine reactions that occur during the process.

Who or what has had the greatest influence upon you as an artist?

Personally, my friendships with other artists have had a big influence on me. My conversations with them are always enlightening and affirming and they often have the language for things that I struggle to express outside of painting which I’m very grateful for. They encourage me to think deeply about my practice and help push me to keep going.

What are your interests outside of the studio?

I love to travel, listen to music, try new recipes, and support other artists when I’m not working in the studio.

Has there been a light switch moment, a turning point that stands out to you?

I’d say that my Lupus diagnosis was a turning point for me. It came following months of feeling so much exhaustion and despair; not knowing what was going on or if I would get better. I felt really angry at my body for not acting like a 20-something year old body should and keeping me from doing the things I wanted to do. It’s such an awful feeling to have all this creative energy building up and not have the energy or the physical capacity to act on it. After that diagnosis, being able to name what was going on and having a somewhat clear path of how to move forward I could finally envision a future where I could do things because I wouldn’t be in pain forever. I’m just so, so grateful that I’m doing better now and am able to continue doing what I love. I know that that’s not the case for everyone, and that good health can change so quickly so I do my best to make the most out of right now. I will be honest though, I still have that constant anxiety looming that things will get bad again, but I’m trying my best to embrace it and turn it into a productive urgency. If inspiration strikes, I try not to talk myself out of it or think about all the ways I’m not ready to take it on…I act on it as soon as I can.

What are you currently working on?

To be honest, I’m currently taking a break! I’m trying to be more intentional about allowing myself to rest because I think rest is just as important as creating. I’m wary of burn out and so I try to work in ways that are equally fulfilling, but that look different than painting or drawing. I’m reading books I’ve been wanting to read, spending time with people I love, and quite literally resting. My experience with Lupus has also resulted in changes in my energy capacity and so I’m not able to do as much as I used to or keep pushing myself as hard as I was previously able to. This mindset is also about longevity for me; I’m prioritizing rest so that I can continue to make art for as long as possible.

What's your favorite color?

I really love anything in the orange family.

Closing thoughts? Anything we missed?

I’d just like to say thank you to all of my friends and family for continuing to encourage and support me.

MEMBER SPOTLIGHT: TENZIN NAMDOL

Could you tell us who you are and what it is that you do?

I feel incredibly privileged and very selfish when I say that I am just on a journey of curiosity and learning and what better role to do that in but as a researcher. I get to be a life long student and get paid in the process.  I love the chance to dive in and learn more about certain topics so I’ve done research in a lot of different fields from finance to government to tech. I currently study human behavior particularly focused on how people use and interact with technology at Walmart. 

What do you love most about the work?

I love interviewing people and learning about their lived experience. For a while I was focusing on the health and wellness space so I had a lot of opportunities to spend time with people managing various chronic conditions and learn about how they manage them. It’s great to be able to share their stories with my stakeholders to improve existing products or work towards creating new ones. 

 How did you arrive at this point in your career? What’s your backstory?

I have been on this life long journey of going where I can learn more. And sometimes that has meant recognizing when I should take a new opportunity that scares me or should leave a certain career path to go in another direction that has more learning opportunities. And that also means saying yes to failing more often, being more uncomfortable and learning on the job. 

I have also been incredibility privileged to have people around me who have been willing to tell me their stories about their winding journeys and give me the courage to try new things. For example, when I was in my research role in finance, my professor from college met me for some lunch and at the end of lunch told me I needed to leave my job because I have stopped learning. And I knew he was right. I just wasn’t ready to admit it to myself.  

Has there been a light switch moment, a turning point, professionally &/or personally that stands out to you?

Honestly, coming to the US as a young child was a major turning point. I am incredibly grateful to my parents for coming to a country that they knew little to nothing about and putting me through school.   

What are you currently working on, excited about, looking forward to?

Honestly, I’ve been looking forward to my tomatoes growing this season. They’ve been really struggling this summer so I hope they make it through.

Work wise, I am managing a new research area, so I am excited to learn more about my end users in this new space. The fun part of doing research is that not knowing is okay, because learning is part of my job description. 

What drives your work each day? What most inspires you?

I think it’s really important that we create products, systems and policies that address the needs of the people that said product, system or policy is affecting. So what drives me to work is being able to hear the stories of the people who use the product - whatever the feedback may be - and take that feedback back to our partners to make changes that improve their experience.

People’s lived experience and resilience inspires me. 

MEMBER SPOTLIGHT: JOSH BATMAN

Could you tell us who you are and what it is that you do?

I’m Josh Batman. I develop land, design residential and commercial buildings and build homes, renovations and commercial buildings.

What do you love most about the work?

I love solving problems that involve multi-disciplinary problems and human elements. I get to do that everyday and the problems can range from someone’s light switch location to the use of large pieces of land or designing large buildings.

How did you arrive at this point in your career? What’s your backstory?

I grew up building homes with my Dad and helping with small scale residential development. After I got my degree in Architecture at UVA I did design build with my Dad and then got my Master’s in Architecture from Virginia Tech. I then started Hauscraft with my professor Joseph Wheeler and my sister Natalie. Our first project was Studio IX which we designed and built with James. We designed many of the homes in Riverside Village and built our first prefab house out of a warehouse on Avon called Lake Haus. I then went on to work with Chris Henry to build Stony Point Development Group and built many homes, communities, condos and most notably Dairy Market and 10th & Dairy Apartments. I have now come full circle and am back at Studio IX and working on residential projects and development.

Has there been a light switch moment, a turning point, professionally and/or personally along the way?

I feel like there are multiple light switch moments in life. Each change in my career has been because of such moments, where I realize I am not growing anymore and then make a change.

What are you currently working on, excited about, looking forward to?

I am currently working on a few residential projects, research projects and some larger developments. I love working with clients to realize their dreams and dreaming about places people can realize their dreams.

What values drive your work each day? Can you say a bit about them?

Integrity, Value for the Customer, Fortitude, Creativity and Beauty. I believe in being honest and transparent, creating value for my clients, having the fortitude to push through and complete projects with creativity that leads to beauty and brings everyone who experiences the place closer to the divine.

Anything we missed that you might care to share (closing thoughts)?

I am very happy being back at Studio IX and again being completely in charge of my destiny. I look forward to meeting the amazing people in this community and hopefully adding to the vibrancy already in this place.

MEMBER SPOTLIGHT: JEFF DION

Could you tell us who you are and what it is that you do?

My name is Jeff Dion and I've lived here in Charlottesville for 8 years now. I have a home down in Esmont, near Scottsville, with 2 acres and quiet neighbors - life is good. I'm a father of two little girls, husband to a driven and exceedingly beautiful wife, student of the natural world, and avid outdoor enthusiast. In my professional life I help entrepreneurs access a more equitable form of business capital; raising money for their growth from their customers, fans, and community. The company is called Wefunder.

What do you love most about the work?

Personally: It takes me awhile to disconnect from my work each day, so the freedom to build my work schedule around my family schedule and my own goals, makes this a more sustainable career. Professionally: Wealth across this country over the past 40 years has been wildly disproportionately skewed to the top 10%. I love that this tool of community rounds can actually usher in generational community wealth, for everyone!

How did you arrive at this point in your career / work? What’s your backstory?

Originally from New England, my wife and I moved to Charlottesville after staying here for three days on a road trip. Right before we relocated, we spent six months in South America, traveling and learning to make wine in Argentina. Back on US soil, here in VA, I started selling wine. Selling wine got me into restaurants, and for a few years I thought I might work in restaurants forever. But restaurants led me to food, and food to local food. I started going down this massive rabbit hole of local economies, and long story short, that led me to a role at Wefunder helping founders raise capital from their community -- supporting local entrepreneurship and growing our community’s overall wealth, one individual at a time. 

Has there been a light switch moment, a turning point, professionally &/or personally along the way?

I really enjoy hospitality and the act of taking care of people. I'm not sure that I knew that about myself a decade ago. Now I realize that it is pretty core to who I am. That drives me today, to make sure that whatever work I am doing, I do it with the customer/human at the center of the equation.

What drives your work each day (internally, spiritually, practically....)?  

If I'm being honest, raising a healthy family costs an insane amount of money these days. After working in restaurants for years, and making no money, I'm currently pretty driven by putting some financial cushion in place for my family and myself. While I really value the output of the current work I am doing, I don't plan to be sitting in a chair, looking into a computer a screen, melting my body away, for too much longer. So I guess my main driver at the moment is putting myself in a place where I can consciously walk away from tech-based careers, and back into the outdoors, with the confidence that I can still be providing my family with what they need and desire. While I'm on this path though, I can only get out of bed in the morning if the work that I am doing is genuinely helping other humans.

What are you currently working on, excited about, looking forward to?

Professionally: I just put on a Community Capital event here in Charlottesville that pulled the greater community together to participate in investing in their local businesses. That was pretty meaningful for me, as I'd like Wefunder to continue to let me roll these communtiy-centered positions out across the country lol!

Personally: recently I've really enjoyed helping my wife move from her long time career towards a role that allows her to spend more time as a Mom. And for me, I've now started taking active steps towards building out a career in which my daily compass is:  nature and craftsmanship.

Anything we missed that you might care to share / closing thoughts?

Thanks for having me at IX, Greg!  I've always enjoyed the laid back and positive attitude here. 

MEMBER SPOTLIGHT: MOLLY HICKMAN


Could you tell us who you are and what it is that you do?

I'm Molly Hickman, a software engineer/data scientist. I work for a startup called nLine, Inc. that measures electricity reliability in Sub-Saharan Africa. We plug these little sensors into outlets in homes, businesses, and sometimes health clinics, in Ghana, Kenya, Rwanda, Nigeria, and soon the DRC and Uganda. The sensors tell us the voltage and frequency and how often folks lose power, for how long. We're a small team, nine people, so we all wear several hats, but I mostly do statistics and back-end stuff.

What do you love most about the work?

I hit the jackpot with this job. I'm doing meaningful work, with awesome people; I get to leverage things I'm really good at; and I have a lot of opportunities to grow new skills. Maybe my favorite part is: I love being able to take strong positions on things that matter to me, and having my thoughts matter to the team. We all bring different skills to the table and everyone's opinions hold weight. I don't have to beat around the bush or bite my tongue; I can just say what I'm thinking. And best of all, if it turns out I'm wrong, I can admit it and we move on, it's fine. Everyone is so compassionate. In my past jobs it's always been a game of, like, what am I allowed to say in front of this group of people? What am I risking by speaking my mind? Is it worth it? It's so nice not to have to worry about that, and we get so much more work done!!

How did you arrive at this point in your work? What’s your backstory?

My background is in national security, specifically anticipatory intelligence, even more specifically crowd-sourced intelligence/forecasting. I did math and linguistics in undergrad, did a little coding toward the end of college, and was very lucky to get an internship and then a job at MITRE in McLean. I enjoyed that work and still try to keep up with the literature, and contribute to forecasting projects when I'm able. I'm currently "pro" forecasting on a platform called INFER, run by U-Maryland's ARLIS (Applied Research Laboratory for Intelligence and Security). Anyway, MITRE is chock full of PhD's and there's only so much you can do there with only an undergraduate degree, so I went to Virginia Tech for a masters in Computer Science. My co-advisor Shaddi Hasan connected me with the founders of the startup I work for now. I worked for them as a "guest researcher" while I finished my masters, and I loved the work so much that I made the tough choice to leave MITRE and join nLine.

What values drive your work each day?

I value data integrity. That's taken on an oddly specific meaning in industry, but I just mean I care about creating data that are honest, and also taking care about what we claim based on data. One of the most important things I've learned over the course of my time at MITRE and then Virginia Tech is how easy it is to make the wrong inferences from data. Crazy easy. Whenever you hear someone say "the data show this," be suspicious! First, just the process of creating data always involves choices about what details to record, maybe how often to record them, how to sample, how many samples are enough, etc. But even if we lived in a magical world where we could just collect every detail imaginable with perfect faithfulness, we'd still have the tough job of interpreting the data, trying to glean whether A "causes" B, like, whether an intervention made a difference. Causal inference is a whole amazing problem unto itself that economists and philosophers and scientists of all stripes have thought about for ages. What drives me is I want to get at the truth. The measurements my company makes, the data we create, these data reflect people's realities, their experience of electricity. That excites me, that drives me. I want to tell their story faithfully.

What is the most challenging aspect of the work?

Being remote. Working at IX has been a game-changer, but it's still really hard to work apart from my coworkers. We're split across several time zones, from Berkeley to Nairobi. And I guess also, related to the remoteness, it's been challenging to figure out how to manage each other. We're a pretty young company; I was the fourth or fifth full-time hire, I think. We're all young. For many of us it's the first job, or at least the first job in tech. We're still very much figuring out what kind of company we want to be, how to work together, how to structure project management, all that. It's exciting! I think we're making really good choices. But it's hard, and a little nerve-wracking.

Has there been a light switch moment, a turning point, professionally and/or personally along the way?

Hm! I'm having a hard time crafting a serious answer to this so I'll give the kinda silly one. My older brother changed the course of my life when I had just finished my freshman year of college. I was studying music at the time. I wanted to be a conductor, or a singer, or write music for puppet shows or something. I still have an ambition to accompany puppet shows. But anyway, my brother had also been a musician, and he basically said: "Don't major in music. All my musician friends are miserable. You should study Business, get an MBA." I couldn't stomach Business, but my eighteen year old brain somehow figured that math was the next best thing. I had effectively flunked precalculus in high school; I don't know what possessed me to give it another shot. But anyway, I wound up loving math! I was never a great student but I had some extraordinary professors who encouraged me. So here we are.

What are you currently working on, excited about, looking forward to?

I've been designing an interview study for a long time that we might finally get to execute in the next couple months! We want to interview district engineers at the electrical utility in Accra, Ghana, the folks who fix things when the power goes out, so that we can hopefully build a tool that lets them leverage our sensor data to restore power faster. I'm probably going to Accra at the end of this month. I've been studying their distribution grid for almost two years now, but this will be my first visit to Ghana. I'm stoked.

Anything we missed that you might care to share (closing thoughts)?

I'm always frowning at my computer when I'm at IX, but I'm actually fairly friendly! I look forward to meeting other Studio IX members. So glad Sara Surface introduced me to this place.

MEMBER SPOTLIGHT: KAY FERGUSON & JOSH VANA

Kay Ferguson | Co-Director & Founder, ARTivism

Could you tell us who you are and what it is that you do?

I’m Kay Leigh Ferguson. In 2017, I bolted out of semi retirement to found ARTivism Virginia and create a supported connection between artists and activists. Educated as a writer, often employed as an actor and as an activist, I have taught writing, theater and organizing in more and weirder settings than can be named here.  Activist teeth cut in early 80’s with Women’s Action for Nuclear Disarmament.  20 years work with Live Arts Theater as janitor, board officer, fundraiser, actor, director, teacher and founder of their education program.  Only now can I see that the uniting thread is and was always artivism.  Approaching my 7th decade, I’m glad to finally know what she grew up to be. 

What do you love most about the work? 

Giving artists meaningful ways to share their time and talent with causes and communities that need both. Kicking the foul butt of the fossil fuel industry in my home state.  The fierce, wise, diverse characters I have met and learned from along this way.

Has there been a light switch moment, a turning point, professionally &/or personally along the way? 

Trump's election lit the fuse that blasted me out of my first effort at retirement.  What to do?  What could I do?  I guess the light bulb moment was to understand that my wealth was the artistic community I was part of, that generally I can talk a dog off a meat truck and that I know how to build powerful volunteer teams.  I wanted to get out of my blue bubble and into rural communities to understand what was happening.  That's when I found out about the proposed Atlantic Coast and Mountain Valley fracked gas pipelines trying to destroy this state.  This very close line in the climate change sand picked me up by the back of the neck and hasn't let go since.  

What are you currently working on, excited about, looking forward to? 

Transitioning to my second retirement attempt right now involves taking stock of five years of work and preparing to hand it over to young new leadership.  I can't wait to see what it becomes next.  Also for the Mountain Valley Pipeline to bite the bitter dust.  We're close.  

What values drive your work each day? 

Love.  Justice.  Service.  But it's all love really. 

Anything we missed that you might care to share (closing thoughts)? 

Got three days?

***

Josh Vana | Co-Director, ARTivism


Could you tell us who you are and what it is that you do?

I'm a musician who happens to be a justice issues person. I write songs, carry songs, and try to make noise good enough to rattle the system's rafters a little bit – a constant work in progress. I've worked with my Co-Director Kay Ferguson for about three and a half years now in various capacities, all in the valuable service of translating complex information into messaging that moves the heart, the head, and then the feet. ARTivism Virginia has been primarily focused on working with a coalition of largely frontline and environmental groups to halt the fossil fuel buildout in so-called Virginia and the region. That's meant event planning, messaging strategy, music and film production, and a whole host of other stuff. Mostly, as Kay will tell you, it's supporting connections between artists and activists, helping tell the story to the newcomer, and providing invitations for folks to show up ("with full orchestration and five-part harmony and stuff like that", as Arlo Guthrie might say. "And friends, they may think it's a movement. And it is.").

What do you love most about the work?

I love when people discover their power and start to feel like they are somebody to be messed with – not somebody who's gonna be run over. When they find a voice they didn't know they had. It can be both individual and collective. I love watching the floor disintegrate beneath the liars and oppressors who drag communities through hell, only to find that their subjects wanted victory more than a corporation does. I love witnessing the relief and overwhelm when someone in a frontline community finally experiences that victory – having had everything to lose. There is joy in resistance. There has to be. Because when they've got you in despair, they've won.

How did you arrive at this point in your work? What’s your backstory?

I've landed here in my role as Co-Director of ARTivism Virginia (emerging Director, you might say) through years of connecting with other activists and artists in the fight to stop the Atlantic Coast and Mountain Valley Pipelines. I began to get educated and active around these issues in 2015 while living in so-called Rockingham County, coinciding with a broader political awakening in support of the first Bernie Sanders campaign for president. I helped form a solidarity group called RAPTORS there in the Shenandoah Valley, and started showing up everywhere I could within the confines of also being a touring musician and working at the Little Grill Collective in Harrisonburg. I've been working with Kay and a growing network of artivists since the summer of 2018, and that took little time to develop into a more full-time partnership to stop ACP, MVP, and similarly stupid ventures dreamt up by the geniuses in the fossil fuel and finance industries.

Has there been a light switch moment, a turning point, professionally &/or personally along the way?

After being active in the pipeline fights in our region for a couple years, I found that I could no longer keep the balance with my activism while being a thousand miles away at any given time. The urgency of our moment really started to tear at me. Early on, that moment was framed to me this way: We are in the hallway between extraction and export (speaking specifically to our geography). That essentially means that there is no safe place from the continued shale oil and gas buildout unless you are incredibly wealthy and can keep it out of your backyard. Even then, this latest stage in colonialism will find a way to extract what land and resources do not already belong to those in power. Obviously, when the Trump goons came in, everything hit the fan and they took every opportunity that previous administrations had teed up for them to obliterate what was left of the appearance of environmental protection via the federal government. Then all the permits were issued. They never stop with the permits. My understanding of how local, state, and federal agencies, the consulting class and legislatures cooperate to railroad everyday people has been a steep, continuing education – and it's taught me that the only way to change these circumstances is for us to organize and become ungovernable. In other words, the system is not broken; it's fixed and working exactly as it was designed. And it needs to be broken.

What are you currently working on, excited about, looking forward to?

We're working on Kay's transition to retirement, and my own transition to steer the ship a bit more in serving the coalition that we're so thankful to be a part of. Conditions shift rapidly in this line of work, and we're fortifying the structures that'll help us stay steady while leaving enough room for agility and creativity as the campaign to stop the Mountain Valley Pipeline enters its ninth year. MVP is in serious distress, as are both the proposed Chickahominy Power Station and associated pipeline project from Louisa to Charles City County, so we're looking forward to the dominoes continuing to fall, and doing whatever we can to see these things go up in smoke. Figuratively, of course.

What values drive your work each day?

I think Kay said it best – love, justice and service.

Anything we missed that you might care to share (closing thoughts)?

Every single day, I say to myself, "We need more people." Apathy is always a challenge to beat back, but I think solidarity isn't as hard to find out here as it used to be (in the so-called USA). If you've got a fire in you that just can't stand injustice, that's potential energy waiting to be used, and boy is it needed. Everybody has something to bring. Everybody.

 

MEMBERS SPOTLIGHT: SHAINA ALLEN & MIKE ESPOSITO

Could you tell our readers who you are and what it is that you do?

We are Shaina Allen and Mike Esposito, we are filmmakers and the co-founders of Evergrain Studios.

Evergrain is a video production company, creative studio, and container for our creative work, where we tell stories guided by authenticity and a commitment to positive impact.

We develop and produce documentaries, and work with brands and businesses to create more authentic, engaging content. As creatives we also collaborate with other artists and organizations as freelancers - often in a director, producer, cinematographer, or consultant role. Evergrain’s past work has won multiple awards, streamed on Netflix and in-flight on Delta Airlines, broadcast on NBC, and has been featured in hundreds of schools and theaters around the world.

You may have seen us around town with our cameras or walking around the art park with our blue-eyed husky Keiko. Our “wolfpack” loves being outdoors when we’re not creating and collaborating at Studio IX.

What do you love most about the work?

Mike: I’m energized by helping to bring a creative vision to life, and then experiencing the impact that work has on individuals and communities. Our work allows opportunities for collaboration and connection with fascinating people, vibrant communities, and meaningful relationships.

Shai: The creative process. I flow when building story structure and envisioning the scenes and montage builds, storyboarding animations, music, scriptwriting, etc. Production - especially when capturing natural moments, I love being present with life as it’s unfolding. We are capturing stories that aren’t traditionally highlighted in mainstream media, but fully deserve to have a platform. We have seen first-hand how documentaries and character-driven content can build bridges for perspectives and create real impact.

How did you both arrive at this place professionally? What’s your backstory?

Mike: Some highlights of our story:

  • We both attended James Madison University in nearby Harrisonburg, VA. We met on a JMU study abroad trip to the Philippines.

  • We moved to Miami, worked full time jobs, at one point both at CBS Sports.

  • Took a leap of faith, left our jobs to start our own video production business, Shaina Koren Cinematography.

  • Started filming a promo video for a local non-profit wheelchair basketball team (which we would end up filming for two more years).

  • Built an award-winning wedding cinematography and video production company.

  • Edited our first independent feature The Rebound, the non-profit promo had evolved now 3 years later!

  • The documentary premiered at 20+ film festivals, streamed on Netflix and on Delta Airlines. It was a big step for us.

  • Leap of faith. Dove into the creative process on new projects. Worked on expanding our team, growing the studio and producing a slate of original films. Bootstrapping it all, we trekked out to California and around the country filming for three new projects: Forged in the Fire, Moving Minds, and Para.

  • Returned to Charlottesville to calibrate, right before the pandemic took us all by surprise.

We are currently capturing the story of Prolyfyck Run Creww and are still in various stages of the development and post-production on the other stories.

The past few seasons, like for many, have been challenging. We have pivoted, adapted and persisted. We also learned to slow down, to get more clarity and to heal.

We’re open to work. #ItsAllAboutHowYouRebound

Has there been a light switch moment along the way? Something that set you on the course that you’re on today?

Shai: There are a few moments of transformation that have stayed with me. There was a student at a middle school who after watching The Rebound in class told his math teacher that he too is a wheelchair basketball player. He walks but has spina bifida. The organizer asked him if he’d like to participate in the school assembly for the film, unsure he asked, “Can I think about it?”

Flash forward a week as he shined in front of his classmates at the assembly, first for his 7th grade peers and then again when he excitedly asked if he could stay for the 8th grade assembly. I had asked him if he wanted to speak for the first time, “no.” Second time, after going through the first assembly with a Paralympian and local ballers, he nodded at me and grabbed the microphone.

Days earlier his classmates may not have known he was an athlete, a wheelchair basketball player - but after watching The Rebound in class, sharing with his teacher, deciding overnight that YES he’d participate in the assembly - here he was sharing his story with the entire gym full of 8th grade students. Maybe for the first time in front of his classmates, he was able to be exactly who he is and show everyone his abilities.

His mom came up to me a few months later at a tournament and shared how that experience transformed him, he was more confident than ever. Film is a powerful artistic medium. It has the power to transform, bridge connection, and cliche as it is - change the world.

What are you currently working on, excited about, looking forward to?


Mike:
We have several exciting documentary projects in various stages, from development

and fundraising to post production.

Currently, a few of our projects are at the intersection of sports and social impact. A collab with local organization Prolyfyck Run Creww; a set of incredible stories featuring female Parlympians; and a unique look into mindset and mental skills training in the sports world.

I’m also personally excited about bringing our experience with creative storytelling and media to the growing cannabis and hemp industry here in our region. Shai is leaning into creative collaborations with local entrepreneurs and artists who want to expand into video content. We have some exciting new offers for 2022, including heirloom films that preserve the history and stories of elders while they are still here with us.

What’s the single most important value that drives your work each day?

Shai: My personal values are Presence, Growth, Bold, Sustainable, Impact, and Community. Defining our five core values was a practice our mentor Anthony Lee (Heroic Voice Academy) taught us years ago. I have added 1 since then.

Mike: I’m driven by the understanding that our creative work is a form of service, to our partners, the communities we belong to. Filmmaking is our way of using our skills to help make an impact, and lift others up. Through this service, we are constantly learning, growing, and collaborating. And that’s pure energy that keeps us going.

How’s it been working here at Studio IX?

Mike: Studio IX has offered not only a space to create, but also a sense of community. Especially during the past couple of years when we’ve all been met with unexpected challenges. It’s a place where we’re able to establish a foundation for our business here in Charlottesville and gather with our collaborators.

Shai: Amazing! J-bird is the best and IX is a welcoming space with great people; community is never far. I feel at home here.

Closing thoughts? Anything we missed that you’d like to share?

We invite you to check out our work, and reach out to us if you have any questions or ideas you’d like help bringing to life through film and video. Please say hi - we’d love to meet you. Here is our field notes signup to follow along with our journey.

MEMBER SPOTLIGHT: JORDAN RIDDICK

Could you tell us who you are and what it is that you do?

I’m Jordan. I’ve had lots of odd jobs along the way but am mostly a web developer and chef. 

What do you love most about the work?

To be frank, I enjoy the pay and flexibility of web development. There are some gems in the actual job, like vector graphic animation, but I’m mostly just happy to work less and be outside more. 

How did you arrive at this place?  What’s your backstory?

I want to say my first exposure to IX was when the fine folks of Shark Mountain ran the coffee shop up front.  This time around I’d just returned from working freelance and cooking at an amazing restaurant, Blackbird, in Bozeman, Montana.

Has there been a light switch moment, a turning point, professionally &/or personally along the way?

 Yeah, probably too many. 

What are you currently working on, excited about, looking forward to?

 I’m working with some old colleagues out of Carbondale, Co at the moment. I’m excited to move into a senior role and help junior developers grow. 

What is the single most important thing to you in your work each day?

Patience, humility, and humor with myself and others. Oh, and coffee; shout out to JBird for keeping this coffee snob happy. 

Anything we missed that you might care to share (closing thoughts)?

Thanks for letting me hang here! I’m heading back to the rockies after Christmas and am not really sure if it’ll be a month or six before I come back. It’s nice to know there’s a friendly place to set up shop here in my hometown.


MEMBER SPOTLIGHT: SARA SURFACE

Could you tell us who you are and what it is that you do?

Hey! I’m Sara. I’m the Director of Civil Rights Testing for a DC based non-profit called the Equal Rights Center. I send in ‘secret shoppers’ (testers) to see if discrimination is happening in different markets – like in housing, employment, or at government agencies or businesses. Sometimes we can use testing results in court cases, or publish studies about what we found, or use the information to apply public pressure around a certain issue.

What do you love most about the work?

Testing is almost never boring – from trying to figure out how to investigate a particular business to thinking through how testing data might be able to change the conversation around a certain issue  - it’s all exciting. I like being in a position where I am constantly problem solving.

How did you arrive at this place?  What’s your backstory?

A tale as old as time – I worked as an unpaid intern at a non-profit in Richmond until they could find the money to pay me. I stayed there for several years and learned all the ropes of fair housing investigations. Eventually, though, I wanted to have more leadership opportunities and applied to work at the next closest sibling org, which happened to be in DC (they’re few and far between!).

Has there been a light switch moment, a turning point, professionally &/or personally along the way?

I used to do sexual violence prevention & response work. At a certain point, it began to click for me that I couldn't think about addressing gender violence without looking at other forms of oppression, especially racism. Now I consider holding businesses accountable for many kinds of discrimination as part of the fabric of violence prevention work.

What are you currently working on, excited about, looking forward to?

While there’s a lot of fair housing testing organizations nationwide, we’re the only non-profit in the country that does employment testing. I’m currently pitching projects to funders and getting really excited thinking about the impact we could have.

What is the single most important thing to you in your work each day?

Honestly, coffee.  But seriously, I can’t do this work without taking care of myself, so coffee, food, and walking breaks are crucial.

Anything we missed, closing thoughts?

I’m new to the area - I hope you’ll say hey if you see me around. Also, I just joined Rocky Top and would love some climbing buddies!

 

 

 

 

 

 

MEMBER SPOTLIGHT: SARAH MONIZ

Could you tell us who you are and what it is that you do?

I'm Sarah Moniz (pronounced like "ceremonies"), and I moved to Charlottesville from my native Northern Virginia in August of this year. I'm an AmeriCorps VISTA with the Thomas Jefferson Area Coalition for the Homeless, or if you’re short on time, TJACH.  TJACH is a collaboration of individuals and organizations working to end homelessness in our community through strategic planning, advocacy, and coordination of resources.  As a VISTA ("Volunteer in Service to America"), I serve a one-year term with a non-profit, helping to build capacity for the organization. It's more of a "behind-the-scenes" role, as opposed to direct service. The main objective is to create sustainable programs and systems that will continue to benefit the organization long after my year of service is over. 

What do you love most about the work?

So far, it's the people I work with. They're genuine and compassionate. I think it comes with the territory, as there doesn't seem to be a lot of room for egos in this line of work.  It's a breath of fresh air for me, coming from a heavily corporate background.

How did you arrive at this place?  What is your backstory?

As I'm sure is the case for so many people, the pandemic was a reckoning for me. I started rethinking everything. I was living in Northern Virginia, fighting upwards of two hours of traffic every day, just to get to and from a job I didn't particularly enjoy. I needed a change of pace and something more fulfilling. It was a slow process; I sold my house, ended a long relationship, and started looking for alternatives. New jobs, going back to school, joining a convent—pretty much anything to get me out of the area and out of my comfort zone. Eventually I stumbled upon Americorps, and I was lucky enough to find a position in Charlottesville, a place I've always wanted to live. Shoutout to Anthony and TJACH for taking a chance on a me.

What and/or who inspires you? 

Right now, everything! Everything feels big and new to me here. It's very humbling. Having the chance to start over can be pretty overwhelming and intimidating, but I try to view that as a positive. You need the dark to find the light.

What are you passionate about?

Learning. I love reading, listening, researching—just absorbing as much information as possible. And always asking why.  I think it’s crucial in this day and age to be as informed and open-minded as you can be. Plus, there’s no excuse not to be, with so much information at our fingertips. I studied sociology at VCU, and, being the ever-evolving field it is, there’s always something new to discover. It’s especially important to learn about people (my other passion) and take the time to listen, instead of just reacting or responding. Learning how to be a better person, the best version of yourself—that’s most important.  

Was there a light switch moment? -- a turning point for you (professionally &/or personally)?

I think it was the day I learned about the VISTA program. One of my friends posted about it on LinkedIn. I clicked the link, read a few sentences, and I was sold. Within a week, I had completed my (rather lengthy) AmeriCorps application. A few weeks later, I submitted my official application to TJACH, and a couple weeks after that, I got offered the job. I even found an apartment here with relative ease, which I hear is a rarity in Cville. Everything just fell into place so perfectly, it felt like it was meant to be. 

Could you share a memorable story from your professional path thus far?

As much as I rag on my old corporate job, it had plenty of high points. I worked for a multi-national telecom company, so I got the chance to see the world through a totally different lens. I used to manage offices, and I did everything from buying supplies to negotiating leases to completing full-scale buildouts. I got to do a ton of traveling, too—Sao Paulo, Toronto, Panama, Vancouver. I also had some top-notch coworkers, who doubled as both geographic and cultural tour guides. I feel incredibly lucky to have had those opportunities. 

What's on the horizon? What are you currently working on, excited about, looking forward to?

We have a lot of exciting stuff in the works at TJACH. We’re in the process of rebranding and updating our website to better reflect what we do and make us more accessible. We have a new name that we’ll be rolling out soon, too. We’re also working on forming what we’re calling the “People’s Caucus.” Basically, it will be a group of individuals with lived experience of homelessness who meet to discuss and provide feedback on our homeless system of care, with an emphasis on racial equity. We’re still in the very early stages, and it’s definitely challenging, but I think it’s the project I’m most excited about. As for after my Americorps term, I’m not totally sure yet. That’s kind of the point of this year for me—to learn about myself and what I want to do. Though I will say, I wouldn’t be opposed to staying in Cville a bit longer and doing something similar to what I’m doing with TJACH. I love it so far.

 How has your experience at Studio IX been thus far?

Awesome! First off, it’s nice just to be back in an office again, around other humans. But my favorite part about Studio IX is the people here and the diversity in backgrounds and experience. I love the laid-back, open environment. I can usually be found at my desk with my headphones in, but feel free to stop by to say hi and break me out of my shell!

 

MEMBER SPOTLIGHT: NICK RUBIN

Could you tell us who you are and what it is that you do?

 

My name is Nick Rubin and I run Rubin Academics, a solo-venture tutoring company. I mostly help high school students with standardized tests, but I also help with coursework, along with essay and paper development and editing.

 

What do you love most about the work?

 

I love working with motivated students one-on-one, helping them solve problems and reach their goals. I also love that as a tutor I’m not the students’ adjudicator/grader, but their coach/teammate. Finally, I love working for myself.

 

How did you arrive at this profession?  What’s your backstory?

 

I came to Charlottesville to study in UVA’s Music Department, and graduated in 2010 with a Ph.D. (It’s not a performance degree, but, fun fact: I play in a band called New Boss, and our bandleader Thomas Dean designed and printed the rock show posters hanging throughout Studio IX!) After a decade of adjuncting and chasing the elusive tenure-track job, I wanted to try making something happen on my own. Having enjoyed tutoring in the past, it was an appealing plan B, and I started Rubin Academics a few months before Covid hit.

 

Have there been any light switch moments (personal and/or professional) that have influenced your path and career thus far?

 

I’m cautious to a fault (yes, a Libra), so “light switches” act more like slow-rising dimmers, which is why it took me so long to get this business started. But lots of my friends here in town are rad, smart, talented people taking the initiative to do cool things their own way, so that has definitely been an ever-present influence and inspiration.

 

Could you share a memorable story from your professional path thus far?

 

It’s been a pretty straightforward and workaday gig so far, and nothing really stands out. But in the thinking/planning stages, I got a ton of useful advice and ideas from friends – they seemed as excited about the potential as I was.

 

What's on the horizon? What are you currently working on, excited about, looking forward to?

 

I’m hoping to add services that I can provide during school hours, when students are…in school. Also looking to expand the writing instruction aspect, and eventually, offer GRE prep. But the nature of the business is that I’m always just trying to replenish the lineup as students move on.

 

How has your experience at Studio IX been?

It’s my first shared-workspace experience, and it’s been wonderful: lots of friendly and cheerful faces; great location; hassle-free parking. The JBird Supply folks bring a great vibe to the café. And Greg patiently endures all my interruptions to talk music. So glad I found IX!

 

MEMBER SPOTLIGHT: APRIL MÛNIZ

Could you tell us who you are and what it is that you do?

My name is April Muñiz (pronounced moo-n-yees’) and I’ve been in the Charlottesville area since I graduated from JMU in 1990. I have a master’s degree from George Washington University in Health Sciences – Clinical Research Administration and currently work as a project manager for a company called Veradigm, which is headquartered in Chicago, although I’ve yet to meet any coworkers who live or work in Chicago? We work closely with pharmaceutical companies to leverage Electronic Health Records systems to gain access to real world information that will advance their research efforts by making research more accessible to clinical practices and their patients. Not to worry, it’s all done on the up-and-up with great care and scrutiny to protect patient health information.

 

What do you love most about the work? 

I’ve been involved in clinical research for over 30 years and what I love most about my work is that it is constantly changing. Advances in the worlds of information technology and data science have dramatically changed the way drugs are brought to market and what we know about them (and the people who take them) once they are approved.

 

What inspires you?

I like being part of a system that it is providing solutions to the healthcare industry.  During my career, I’ve helped manage studies for ground-breaking treatments that have helped patients with serious illnesses and rare diseases and that have drastically improved the quality of life for others.

 

How did you arrive at this place?  What’s your backstory?

I fell into clinical research right out of college after having been exposed to it as a research participant at the National Institutes of Health. I worked for PRA Health Sciences for 17 years, before venturing on to do some other things like managing Horse & Buggy Produce, a local foods cooperative, from the old Ix factory building where the Ix Art Park now resides, joining the Peace Corps and volunteering for two years in Senegal, and managing catering events for Harvest Moon before finally making my way back to clinical research six years ago.

 

Was there a light switch moment? A turning point for you (professionally &/or personally)?

I have to say that the best thing I ever did for my career was take a break from it.  It allowed me to pursue some other interests, build new skills, and follow other paths.  During my eight-year hiatus I strengthened my confidence in tackling new things, met some amazing people,and really broadened my world.

 

Could you share a memorable story from your professional path thus far?

As a Peace Corps Volunteer in Senegal, I was assigned to be a Community Economic Development agent, working with artisan business owners to improve their market reach, teaching entrepreneurial skills to high school students, and finding income-generating projects for women’s groups. Those were my primary tasks, however, the real need in my community was assisting my local counterpart in developing an environmental education program for a group of 50 advanced elementary school students to help them understand the effects that climate change and poor land stewardship have had on their community.  This ended up being the project that I spent the most time working on, developing curriculum, meeting with local school administrators, and holding Saturday classes with the students.  After I returned to the States, the kids that I had been working with finished their 3-year program with the local volunteers working on the project. The following year, the program began again with a fresh new group of students and my counterpart informed me that they had named the program after me “Eco-Ecole Fatou Ndiaye” (my local given name). I get pictures on a regular basis of the work they are doing to plant trees, manage and reduce waste, and create alternative fuel sources. It’s pretty great to see this new generation of kids carrying the work forward.

 

What's on the horizon? What are you currently working on, excited about, looking forward to?

Currently, I’m working with a client to better understand the effectiveness of the COVID-19 vaccinations and to use that information to educate physicians in areas where there has been high levels of vaccine resistance.

 

How do you see your work evolving? 

 As regulations continue to develop to keep up with the advances in life sciences solutions, I think we will see a lot more reliance on real-world data and real-world evidence as new drugs are developed, which can help speed that process and get drugs to market faster and safely.

 

What is the single most important thing to you in your work each day?

The most important thing I do each day is not really related to work. It’s my 30-minute early morning DuoLingo Spanish lesson. I mean, really, a Mexican American that doesn’t speak Spanish. I’m currently on a 344 day streak!  Hay alguien que quiera practicar conmigo?

 

How has your experience at Studio IX been?

I switched jobs during the COVID lockdown and so I went from working-from-home-due-to-the-pandemic to working-from-home-because-my-job-is-now-remote. That was a mental game-changer for me.  I’d already spent 14 months alone at home and knew that I really had to get out of the house. I love the flexibility of Studio IX and the opportunity to run into people I know as well as meet new folks.  I live about 20 minutes outside of Charlottesville, so being in town a couple of days a week makes is easier to run errands, go to the gym, and catch up with friends downtown. I also love that there’s always a great soundtrack playing in the background, the smell of fresh coffee that wafts in the air, and the soft murmur the hive.

MEMBER SPOTLIGHT: LESLIE PONT

Could you tell us who you are and what it is you do?

I’m Leslie Pont. I work for the Osher Lifelong Learning Institute (OLLI) at UVA as the Executive Director. We are a non-profit 501C3 that serves the active adult community with lifelong learning courses through Charlottesville, Staunton and Waynesboro. OLLI has been in Cville for 20 years! 

What do you love most about the work? 

Making people happy! Our members have various backgrounds, interests and levels of engagement in our courses, tours and events. It is a blessing to see their faces light up about their favorite instructor, staff member, course or a community gathering. We are here to serve their needs both socially and intellectually. 

What inspires you?

My family – we have a four-year old daughter and seeing the world through her eyes is such a gift. I deeply enjoy watching her grow with wonder and excitement. Watching the Olympics right now is also inspiring! Our bodies are much more capable than our minds give us credit for.

How did you arrive at this place?  What’s your backstory?

Funny thing is, I was trying to convince my husband to become an individual member of Studio IX a few years ago. I wanted to get him out of the house after teleworking for his company in Arlington, VA for four years. He was at home 24/7 long before the pandemic came along. and it can take a toll on people who feel isolated from their typical office setting. When I came to work at OLLI during the pandemic, I knew right away that our organization needed a new office solution. I talked to the staff, our president and eventually our board of directors about making the move – so far, it’s working out quite well for our needs.

Was there a light switch moment? A turning point for you (professionally &/or personally)?

For me, it is likely from going back to school in my 40’s/grad school. It was a heavy lift at first and while it’s not easy, it has made me work harder than ever before because it is an everyday, every evening, every weekend commitment outside of work and family. I have two grad classes and a semester-long final project to go. I am really enjoying my classes in Organizational Leadership and Strategic Communications.  

Could you share a memorable story from your professional path thus far?

 There are many so that is a tough one to answer! I love working for nonprofits and I have great memories from each that I’ve worked for. Event planning and the lead up to an event is always memorial for me. My favorite part is watching the event unfold and witnessing people interacting, happy and engaged in conversation. That’s when you know that all of the work that lead into planning an event, has paid off.

 What's on the horizon? What are you currently working on, excited about, looking forward to?

Our team is excited for the Fall semester of classes that is about to launch for registration. It’s been a wild ride to teach OLLI members online for two plus semesters! Most people are ready to go back to in person classes again throughout the local area. For those who are not, or who like the convenience of online learning, we are going to host a dozen courses online this fall. We will be working hard to launch 72 courses successfully, plus our local events and tours.

How do you see your work evolving? 

There is so much more work to do as we come out of the pandemic, so to speak. Strategic planning is a big piece of our work to come because much of that was put on hold during the last 18 months, for better or for worse. Working on diversity, equity, inclusion and belonging (DEIB) is going to be our most important work – is will be ongoing as an organization. There are not enough words to describe how vital DEIB is to both OLLI and our local community.

What is the single most important thing to you in your work each day?

Show up and be present! Coming to work with a can-do attitude is essential to my most effective days on the job. Exercise helps tremendously too.

How has your experience at Studio IX been?

It’s been very well received by all of our staff and so far, the members and instructors who have stopped by to see our new space. The best is yet to come.

MEMBER SPOTLIGHT: DUSTY MADISON

Could you tell us who you are and what it is that you do?

I’m Dusty Madison and I do astrophysics research. More specifically, I study gravitational waves. Gravitational waves from the merger of two black holes were first detected by the LIGO collaboration in 2015, one hundred years after they were predicted by Einstein. You can think of LIGO as doing high-frequency gravitational wave astronomy. Most of my research has been on much lower frequency gravitational waves. My collaboration, NANOGrav, hopes to detect these low-frequency gravitational waves by observing how they affect the behavior of these exotic stars called millisecond pulsars. Studying these pulsars makes our work a big endeavor in radio astronomy. We use the Green Bank Telescope in West Virginia extensively, and until recently, used the Arecibo Radio Telescope in Puerto Rico. We think we’re getting close and may actually detect this new type of gravitational wave in the next year or two.

What do you love most about the work?

I’ve been fascinated with space since I was a little kid. When I was in undergrad, I took a class on Einstein’s theory of gravity and learned about gravitational waves for the first time. I thought they were super cool, and it sounded like something that was going to be exciting over the next decade and more. I was right about that. It’s been an exciting field to be involved with. In practice, I appreciate the creativity that’s involved with innovative new research. My work has given me the opportunity to travel to some great places all over the world. I regularly get to meet and work with some very impressive people.

How did you arrive at this place? What’s your backstory?

I’m from California originally but moved to Ithaca, NY for graduate school in 2008. I moved to Charlottesville in 2015 right after I finished my PhD to work for the National Radio Astronomy Observatory. In 2018, after my NRAO contract expired, I moved to Morgantown, WV to continue doing research at West Virginia University. My wife has a good job here in Charlottesville, so she stayed here and we did long distance for about two years. But when COVID kicked in, there was no reason for me to physically be in Morgantown anymore, so I moved back here.


Was there a light switch moment? A turning point for you?


Weirdly enough, I’m going to say “no.” I’d have to go way back and talk about some stuff from my childhood or something when I really fell in love with space and science. Outside of that, I’ve been on a pretty steady trajectory since I took my first physics class my junior year of high school and fell in love with it. I’ve managed to keep this scientist thing going which is a privilege and a joy.

Could you share a memorable story?


I attended a conference in Sydney, Australia a few years ago. I had a great dinner with my PhD advisor, Jim, and one of his former students, Joe, who’s now a big shot at NASA. It was out on a patio right on the harbor, right underneath the Sydney Harbour Bridge. The Sydney waterfront is spectacular.


What are you currently working on?

My current project is actually some of the most niche, technical, inside-baseball stuff I’ve ever worked on and I really don’t have a great elevator pitch for it at the moment. I’m developing a more general version of this very specific computation that my collaboration regularly does when we're looking for something called “the stochastic background of gravitational waves."

How do you see your work evolving?

I’ve recently been hired as an associate professor in the Department of Physics at the University of the Pacific in Stockton, California. I’m going to be teaching undergraduate students and working to involve them in my research on gravitational waves and pulsars. It’s a tenure track position, so the hope is that this job will become permanent within a few years. We’ll likely be living in the greater Sacramento area.

How has your experience at Studio IX been?


It’s been great. Sometimes I just need a change of scenery to get my workflow going again because I get sick of working from my couch at home. The space is very comfortable and pleasant to be in. I think COVID precautions have been handled really well. It’s nice interacting with the friendly staff a few times a week.

GREENROOM SPOTLIGHT: JOCELYN ROBINSON

Could you tell us who you are and what it is you do?

I’m Jocelyn Robinson, and I’m a producer, educator, and radio preservationist based in Yellow Springs, Ohio. When I’m not producing independent projects, I work part-time out of the Eichelberger Center for Community Voices at 91.3 FM WYSO. It’s the primary public radio station in the Dayton area. My title is Producer for Emerging Initiatives, Education, and Archives, so that kinda says it all.

Through training and relationship-building, we support the production of myriad audio stories that often center and amplify voices of communities not typically heard on public radio. I’m also interested in preserving and using archival audio to contextualize history, that we might interrogate and learn from it and maybe not repeat it. And I’m an adjunct instructor who teaches multidisciplinary college literature courses through a Black feminist/womanist lens.

What drives your work? What drives you to make it?

I’m very conscious of whose voice gets heard and why. The public radio sphere has been mostly white, male, and upper middle class for far too long. I’m driven to disrupt that narrative by amplifying other voices. And then moving past that to construct community-based platforms for telling and preserving those stories. Also, I just love the craft of making audio. There’s nothing like being in the flow and making that magic happen.

What are you currently working on that we should be aware of?

As an independent producer, this year I’ve had two half-hour episodes drop for a German-produced podcast called The Big Ponder; one being “The Flag” and the other about home and identity that just posted. Different storytelling conventions, different paces, different vibes, but both personally meaningful. I have an amazing creative team and we’ve honed our technical and creative chops through this recent work.

Then I’ve got two other projects I’m excited about. At the Center for Community Voices, I’m directing a community-based storytelling project on Dayton’s west side, primarily African American neighborhoods. I’ve been mentoring a small group of community producers who’ve weathered the pandemic and are about to get back out there and tell audio stories. They’ve been doing series of commentaries in the interim that are just amazing. They are so ready!

Also through the Center and my work with the WYSO Archives, I’m heading a preservation project for Historically Black College/University radio stations, in collaboration with the Northeast Document Conservation Center out of Andover, MA. We’ll know about major funding for the project in early summer. We’re hoping that will propel us into a pilot phase, working with four of the twenty-nine HBCU stations and the institutional archives on their campuses. If all goes well with the pilot, we’ll go back to the supporting foundation for full implementation funding. It’s a pretty big deal.

Who else is doing great work that we should know about?

All my colleagues at WYSO do great work! You’ll hear fantastic stories from Dayton Youth Radio producer Basim Blunt’s work with teens, from Mary Evans’s ReEntry Stories series with formerly incarcerated citizens, and from all the other Community Voices producers, AKA Com Voxers. There are dozens of us who have been trained at WYSO over the past decade; it’s an amazing program. My creative team members Juliet Fromholt (also on staff at WYSO) and indy Tom Amrhein do stellar work, too.

Then there’s my friend and colleague Will Davis in Chattanooga, TN. Listen for his name! He’s in conversation with a major audio streaming service right now on a true crime project that may soon take the podcasting world by storm.

And Andi Murphy in Albuquerque, NM and her Toasted Sister podcast—she’s not just a producer for Native America Calling, but a brilliant indigenous foodie and artist who has the best self-designed graphics of any audio maker I’ve ever seen.

What do you think a great piece of audio accomplishes?

There’s something magical about being invited into a virtual fire ring by the human voice and perhaps some well curated ambience. Close your eyes and open your ears. You’re there where the story is unfolding, right in the midst of it. Transported. You not only hear it, but see it, taste it, smell it, feel it--yep, magic. They call ‘em “driveway moments,” but you don’t need to be sitting in a car to experience them.

If this were your last hour on earth, what piece of music would you like to hear?

I’d fill that hour with an eclectic playlist that includes Rhiannon Giddens, Kate Bush, Brittany Howard, Dolly Parton, and Nina Simone. Probably end with Sandy Denny, “Who Knows Where the Time Goes.”

Who's your favorite storyteller?

There are so many! And coming to us in all sorts of forms. I think Richard Thompson can tell more story in a 3-minute song than most can in a feature length film. He’s a master!